The title-role is taken by a mezzo, Patricia Bardon, who draws a firm and often slender line, with that gleam in her tone that can so enliven the impact of a lowish mezzo – the famous Mad scene is magnificent. III. Undoubtedly this, and the singing of Francesca Cuzzoni (Cleopatra) and Senesino (Caesar), helped to launch Giulio Cesare into the enduring popularity that it enjoys to this day. 4.0 out of 5 stars Good collection to own. 3 in E minor: 49: HWV 322: Concerto Grosso No. There is no resort to clumsy clattering and unbridled over-egging, not even when Orlando’s grip on sanity deteriorates in Act 2; the mad scene benefits from allowing the musical irony to speak for itself. However, it frequently shows the composer at his most masterly. Published by Breitkopf and Haertel. His management of the recitative could hardly be bettered and mo-ments of urgency or of other kinds of emotional stress are tellingly handled. The proud Ottoman sultan Bajazet shows nothing but contempt for his captor, Tamerlano (Timur, alias Marlowe’s Tamburlaine). Although there are numerous recordings of its two hit slow arias – ‘Lascia ch’io pianga’ and ‘Cara sposa’ – this is its first complete studio recording for over 20 years. Collected editions of Handel's works include the Händel-Gesellschaft (HG) and the Hallische Händel-Ausgabe (HHA), but the more recent . Found inside – Page 189Bach's seven complete concerti for solo keyboard and orchestra in full score from the authoritative Bach-Gesellschaft edition. ... 0-486-24187-4 Handel, George Frideric, WATER MUSIC AND MUSIC FOR THE ROYAL FIREWORKS IN FULL SCORE. 1. Whereas Marlowe’s Bajazeth spectacularly brains himself onstage, in this version the sultan takes poison and is carried off to die. There are no reviews yet. 6 in B-flat major --Concerto op. Hogwood’s lighter orchestral textures are appealing (L’Oiseau-Lyre) but the refinement of detail in the newer set is equally admirable. Christian Schmitt (Instrument: Mühleisen Organ, 1992) Stuttgart Chamber Orchestra, Nicol Matt Petrou’s account of the 1724 version, recitatives and all, is still to be prized. Allegro 03. The introductory Marche captures the difference between Curnyn and Minasi. 1-6, Op.4 Columbia Masterworks, 1958. . The quality of the music is of course a factor: Ariodante is one of the richest of the Handel operas. Few, however, have thought of appropriating the organ concertos - although Ragna Schirmer ventured a set on Berlin Classics, divvying them up between fortepiano, pianoforte and, throwing caution to the wind, Hammond organ buttressed by a jazz combo. Handel: Complete Organ Concertos. It may not be Handel’s most dramatically effective work (Act 3 marks time rather), and its magic effects and transformation scenes no doubt make it a tricky prospect for opera companies, but in many ways its rich orchestration and impressive set-piece arias make it ideal for recording. At the centre of Handel’s love-tangle is Queen Partenope, who must choose between her many suitors: Emilio, the pugnacious Prince of neighbouring Cuma, smooth-talking Arsace, who has abandoned his beloved Rosmira to pursue the queen, and the shyly sincere Armindo. Found inside – Page 425the organ—or at times from a combined harpsichord and organ controlled from one keyboards—it was natural that he would ... the publication of complete four-movement organ concertos as Opus 4 in 1738, Handel's later concertos invariably ... What a wonderful opera this is. Christian Schmitt is one of the most promising young organists in Germany, having won several . Harp Concerto in B flat major (from op.4 no.6, HWV294) Organ Concerto in A major, HWV296 Organ Concerto in D minor, HWV304 Organ Concerto in F major, HWV295 'The Cuckoo and the Nightingale' Organ Concerto in F major, HWV305 Organ Concertos (6), op.4 HWV289-294 Organ Concertos (6), op.7 HWV306-311 Artists Christian . 1 HWV 289: II. Handel, George Frideric. 4 no. Joyce DiDonato, Maite Beaumont and Karina Gauvin have worked with him before and contribute vividly informed portrayals of the principal characters that stand comparison with the best performances on previous recordings. Minasi’s back-catalogue is exceptional but this is his finest work yet. Pietro Spagnoli sings the tyrant Araspe firmly but one also feels a degree of sympathy for his hopeless infatuation with Ptolemy’s wife Seleuce. Handel's likable organ concertos were written to be played between sections of his oratorios. 1-6. – and the music superb. A CD-premiere for Brilliant Classics! This study seeks to discover Handel's likely improvisational process, specifically in the adagio ad libitum sections of his organ concertos. But newcomers should start with this throat-grabbing performance from Riccardo Minasi and Il Pomo d’Oro. Find album reviews, stream songs, credits and award information for Handel: Complete Organ Concertos - Simon Preston, Trevor Pinnock, The English Concert on AllMusic - 2002 George Frideric Handel - Organ Concerto HWV 306 - Op. In a sense, Rinaldo is at once Handel’s most familiar and unfamiliar opera: familiar because, as his lavish first stage work for London, it has been much written about both by modern historians and by the composer’s contemporaries; unfamiliar because the Handel opera revival of recent years has largely passed it by. With its pungent mix of comedy, ironic detachment and near-tragedy, it now seems one of the composer’s most endearing stage works. | For example, the Gavotte of the Concerto op. The result, burnished with the conductor’s swift speeds and careful pacing, is a recording that needs no visuals to bring its story to life, an opera lively with human insight and understanding – to comedy what Giulio Cesare is to tragedy. II. This could well be the Alcina we’ve been waiting for. 4: no 1 in G minor, HWV 289 by George Frideric Handel . Pre-shipment lead time: 24 hours - In Stock. 7 were published in 1761 after Handel died. This version may not be the last word on the opera, but for all-round standard of performance and production it currently wins hands down and it will take some beating. Aimed at attracting both the discerning classical connoisseur and the classical newcomer it presents the pillars of classical music: Dvorák Complete Piano Music, Tchaikovsky Complete Ballets, J.S. All positive reviews › Brandon Matuja. Daniel Taylor is slightly less technically secure or forceful than the others (which is hardly a criticism), but he does well enough with the opera’s least effective role as Goffredo’s brother Eustazio. Classical CD reviews posted every day. 16 in F major. Virgin Classics (Erato) has made much of the fact that this is the first Handel opera recording in which all the male characters are sung at the correct pitch by male singers, but several of the illustrious countertenors involved occasionally drop a few notes down an octave in order to conserve their larynxes. He croons his promises to the forsaken Rosmira with such sincerity (‘Ch’io parta?’) that neither she nor we can refuse him. Most, if not all, of Handel's organ concertos were written to entertain during the intermissions of his oratorio performances. Leave A Review: Cancel reply. Similar items. Find album reviews, stream songs, credits and award information for Handel: Complete Organ Concertos - Nicol Matt, Christian Schmitt on AllMusic - 2006 Her virtuoso A major aria in Act 1 is masterly in style and control and so are the rapid semiquaver runs in the aria that opens Act 2. The Hungarian singer grows from tentative delicacy in Act 1 to ringing joy in Act 3 – a constant of sincerity in this group of dissemblers. Max Emanuel Cencic counterten Faramondo Sophie Karthäuser sop Clotilde Marina de Liso mez Rosimonda In-Sung Sim bass Gustavo Philippe Jaroussky counterten Adolfo Xavier Sabata counterten Gernando Fulvio Bettini bar Teobaldo Terry Wey counterten Childerico Swiss Radio Chorus; I Barocchisti / Diego Fasolis. We have been writing about classical music for our dedicated and knowledgeable readers since 1923 and we would love you to join them. 4 No. Handel: Concerto in G Minor - Oboe and Piano (International 2738) 1 : Partenope : opera in tre atti: 1 : Siroe : opera in tre atti: 1 : Julius Caesar : Oper in drei Akten ; Text von Nicola Haym: 1 : Ezio : Oper in tre atti: 1 : Carmelite vespers: 1 : Italian cantatas: 1 : Handel Organ Concertos, Vol. The Sleep scene, with sweet, soft-toned playing of the violette marine,is lovely. Listen to Handel: Complete Organ Concertos, Vol. Curtis has obviously worked hard to encourage his string players to understand what the singers are communicating: each aria is impeccably interpreted and intelligently paced. As Ginevra, Juliana Gondek, even with a touch more vibrato than might be ideal, sings with a natural musicianship – to be heard in her phrasing and her way of shaping the music – and a wide range of expression: best of all perhaps in the virtuoso aria in Act 1 and the magnificent tragic scene at the end of Act 2, though the poignant D minor farewell to her father in Act 3 is deeply touching too. The rest of the cast is almost unwaveringly strong. 4 no. There is a real theatrical sense to his conducting: this is one of those opera sets where, after the overture, you find your spine tingling in expectation of the drama, which I suppose isn’t surprising for a performance that originated in the theatre, though it doesn’t always happen. David Daniels counterten Rinaldo Cecilia Bartoli mez Almirena Gerald Finley bar Argante Luba Orgoná≈ová sopArmida Bejun Mehta counterten Christian Sorcerer Mark Padmore ten Herald Daniel Taylor counterten Eustazio Bernarda Fink contr Goffredo Catherine Bott sop Siren I Ana-Maria Rincón sop Donna, Siren II Academy of Ancient Music / Christopher Hogwood. 6 In B-flat Major: Adagio (Handel)" and more. 4 Nos. Organ Concertos, Op 7. 2 in B-flat major --Concerto op. In the end he marries Irene, to whom he was betrothed, and restores Asteria to her lover Andronico, but only after Bajazet has killed himself. Time and again, in fast music, the violins speed towards the end of a phrase like a bull charging a gate; further impetus comes from swelling on tied notes. He isn’t a natural opera conductor – others may have found more magic in the enchanted gardens and more sensuality in the sirens who lure Rinaldo, and you sometimes get the feeling that he’s rushing the singers at important moments – but he has an unerring sense of tempo, and the opera as a whole is well paced. G. F. Handel - Complete Organ Concertos (2002) Disc 1 6 Concerti per l'organo ed altri stromenti Op.4 01. Matthias Kirschnereit restricts himself to a Steinway . Each ritornello shows finesse and a deep-rooted fondness for the subtleties in Handel’s writing. According to the first, it is the intense competition within an increasingly mercantile society — forcing the composer to produce at a frantic rate — that increased the composer’s natural inclination to use previously written material. G. F. Handel - Complete Organ Concertos (2002) Written by bluesever Thursday, 31 March 2011 08:53 - Last Updated Friday, 06 December 2013 15:10 movement, Simon Preston improvises a fugue, with pedals. Iestyn Davies, in the Senesino role of Guido, has slightly more ‘bite’ to his countertenor and rises impressively both to the anguished fury of his Act 2 aria ‘Rompo i lacci’ and the profound pathos of his final aria. 7 no. The opus 4 works tend to be more lighthearted and the opus 7 concertos are meatier in terms of length and musical ideas. Choose your streaming platform 2 in Bb major, HWV290, O. © Alex Benjamin Translation: Rachelle Taylor, Born in 1958, Jean-François Rivest studied at the Conservatoire de Montréal (4 First Prizes), and with Dorothy DeLay at the Juilliard School in New York, where he obtained his Master’s degree in only two [...], Audiences and critics are unanimous about Jean-François Rivest: he is a spectacular conductor endowed with tremendous energy, precision, emotion and exaltation who knows how to lead his orchestras [...], German-born British composer, organist and harpsichordist, A Piano around the World – Port of Call: Curaçao, Schubert: The Complete Sonatas and Major Piano Works, Vol.5 - Warmth, New Jewish Music, Vol. After Cleopatra has herself succumbed to the passion she aroused in Caesar, Galli brings a tragic intensity and individuality of nuance to ‘Se pietà’ and ‘Piangerò’. It opened at the King’s Theatre in the Haymarket on October 31, 1724; when it was revived in November 1731 Handel omitted the trio in Act 2 and added an aria for Leone. The cast is very strong. Discover releases, reviews, track listings, recommendations, and more about Handel* / Christian Schmitt, Stuttgart Chamber Orchestra*, Nicol Matt - Organ Concertos (Complete) at Discogs. Curtis, too, knows how to coax the best from his singers. Aimed at attracting both the discerning classical connoisseur and the classical newcomer it presents the pillars of classical music: Dvorák Complete Piano Music, Tchaikovsky Complete Ballets, J.S. Complete your Handel* / Christian Schmitt, Stuttgart Chamber Orchestra*, Nicol Matt collection. In stock - available for despatch within 1 working day George Frideric Handel (23 February 1685 - 14 April 1759) composed works including 42 operas; 25 oratorios; more than 120 cantatas, trios and duets; numerous arias; odes and serenatas; solo and trio sonatas; 18 concerti grossi; and 12 organ concertos.. See All Buying Options. Fasolis’s direction is exemplary for its warmly authoritative expressiveness and fluent mastery over detail. Contrary to many of his contemporaries, Déry preferred mixtures without thirds and with relatively light principals, a combination which gives his plenums great clarity. Tamerlano comes between Giulio Cesare and Rodelinda: not nearly as well known as either, it’s fully their equal. III. Found inside – Page 272After the publication of op.4 , Handel never again seems to have been interested in completing a set of concertos . The ' second set ' contains only two concertos which were originally for organ and orchestra , and op.7 is a posthumous ... Buy 3 CDs or download online. The scene in which the penitent tyrant’s life is saved from assassination by the fugitive Bertarido is among Handel’s greatest dramatic moments. Handel - Complete Organ Concertos arr. II. The excellent liner notes, written by both organists Martin Haselböck and Jeremy Joseph, stress Handel's reputation as an organist whose talent was the . But while her timbre more naturally suggests gravity than levity, Hilary Summers catches Teodata’s teasing, flirtatious nature through inflection and phrasing. Report Inaccuracies on Händel Complete Organ Concertos Page. Every one of these concertos is quite movingly played including the transcription of one organ concerto made by Handel for harp very well played by Francis Kelly. Alan Curtis sagely allows Handel’s music to speak for itself unhindered by artificial gimmicks: ritornellos are subtle, continuo accompaniment of recitatives is exemplary for its pacing and judgement, and singers declaim their texts with utmost clarity. 7 no. The recitatives are sung at a good pace but with full dramatic weight. This volume is the first collection of specialist studies related to the field of English organ music. 7 No. 4, HWV 289-294, are six organ concertos for chamber organ and orchestra composed by George Frideric Handel in London between 1735 and 1736 and published in 1738 by the printing company of John Walsh.Written as interludes in performances of oratorios in Covent Garden, they were the first works of their kind for this combination of instruments and served as a . Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Google Play): https://brilliant-classics.lnk.to/HandelOrganConcertosMore Information: ht. 7 No. The study helps today's organists understand Handel's improvisational process and create their own improvisations in the adagio sections of his organ concertos. Ann Hallenberg sop Tolomeo Karina Gauvin sop Seleuce Pietro Spagnoli bar Araspe Anna Bonitatibus mez Elisa Romina Basso mez Alessandro. Find many great new & used options and get the best deals for Handel: Complete Organ Concertos, Ursula Holliger, Simon Preston, Good Box set at the best online prices at eBay! 1735-1751) CD1 [75:22] Concerto in G minor, Op. Complete organ concertos, 4: Responsibility: Handel. Minasi follows previous recordings in using Handel’s original 1730 score as the basis for his performing edition, but also steals judiciously from later revivals – notably an extra aria for Armindo (‘Come se ti vedro’) and an attractive trumpet sinfonia. Teldec - 8573 87790 2. Beaumont is at ease in Carestini’s role as Ruggiero – heroic when required (as in ‘Bramo di trionfar’, the discarded aria, originally in Act 1 scene 7, that Curtis reinstated) – and more than equal to the demands of the much-loved ‘Verdi prati’ (Act 2). Every detail can be clearly heard, in part because of the minimal instrumental resources Curtis employs and his keen sense of the architecture and pacing of Handel’s music. Sonia Prina sop Valentiniano Ann Hallenberg mez Ezio Anicio Zorzi Giustiniani ten Massimo Karina Gauvin sop Fulvia Marianne Andersen mez Onoria Vito Priante bass Varo Il Complesso Barocco / Alan Curtis. The idea of listening to these concertos in attentive silence, either at home or in public, would be a strange one indeed . Philippe Jaroussky, Karina Gauvin, John Mark Ainsley, Teresa Iervolino, Emöke Barath, Luca Tittoto; Il Pomo d'Oro / Riccardo Minasi, ‘[Senesino] put me in a sweat in telling me that Parthenope was likely to be brought on the stage, for it is the very worst book (excepting one) that I ever read in my whole life…’ (Owen Swiney). There are some weaknesses. Swedish mezzo Kristina Hammarström has both the swashbuckling vigour for Caesar’s heroic arias and the intense inwardness for his great soliloquy at Pompey’s tomb. Lack of inventive powers, too much work and not enough time, habit acquired during his youth, the illness of 1737, all these hypothesis have the advantage, or the disadvantage, of being satisfying. Likewise, Orlando’s ensuing ‘Non fu già men forte Alcide’ is truly an andante, allowing Owen Willetts to sing poetically rather than merely heroically, accompanied by elegantly swaying horns; the orchestra accompanies ‘Fammi combattere’ with subtler than usual shading. This recording of Orlando (1733) was made after a mostly Canadian production at the Vancouver Early Music Festival. Copyright © 2021 ArkivMusic. 4 organ concertos follow the revised volume of the Handel Complete Edition edited by Terence Best and William Gudger [BA 8340/BA 8341-BA 8346].The new scores and orchestral parts… Tolomeo was the last opera Handel wrote for the Royal Academy of Music before the opera company dissolved in 1728. this instrument was the first built by Napoléon Déry, and eloquently demonstrates the intelligence and taste of the organ-builder. She sings her playful numbers in the first act with knowing, coquettish grace, then finds warmer, more voluptuous colourings for the ravishing ‘Parnassus’ tableau, ‘V’adoro pupille’. Gauvin twitches her lovers’ strings just tightly enough to set them dancing. Hercules has never quite occupied the place it merits in the Handel canon, even though it includes some of his most powerfully dramatic music. Angelica’s soliloquy ‘Verdi piante’ has the compelling atmosphere of hushed pastoral secrecy, albeit marred by Karina Gauvin’s tendency to transplant her last cadences up an octave. The organ, therefore, really did need a complete restoration, and this was carried out by the firm of Guilbault-Thérien. A fine set, which I recommend very warmly. If nothing else, this album enables us to hear both final thoughts and -discarded drafts consecutively, and allows us the chance to decide whether or not Handel was -correct to sacrifice two excellent climactic arias in favour of radically different ideas offering more potent dramatic sublimity. 7 in B♭ major: 76 Owen Willetts, Karina Gauvin, Allyson McHardy, Amanda Forsythe, Nathan Berg; Pacific Baroque Orchestra / Alexander Weimann. No reviews yet. Discover Geneviève Soly, Ensemble Carl Philipp & Jean-François Rivest's top songs & albums, curated artist radio stations & more. Mezzo Teresa Iervolino makes much of Rosmira’s low-lying music, retaining vocal colour even in the depths of ‘Furie son dell’alma mia’, and together with bass Luca Tittoto (wonderfully characterful and agile in the supporting role of Ormonte, chief of guards) brings an anchoring depth to a work dominated by so many upper voices. The Handel organ concertos, Op. Label. ‘My breast with tender pity swells’ is truly lovely. The sole rival Flavio, directed by René Jacobs (Harmonia Mundi), has been rightly praised. for Piano. A second hypothesis would be that the use of these “resources” — and it does augment after 1737 — is linked to the illness of the spring of that year. The acoustical environment of this recording is near-perfect. Katsuli sings with a most affecting passion, combined movements and Minuets (which increasingly with tenderness. Listen to Handel: the Complete Organ Concertos, 2 by Denis Bédard, Ensemble Carl Philipp, Jean-François Rivest (Handel) on Apple Music. George Frideric Handel (Composer), Trevor Pinnock (Artist), Simon Preston (Artist) - Handel: Complete Organ Concertos - Handel: Organ Concerto in F major, Op.4/4, HWV 292 16:46 Bach, Johann Sebastian - Bach Brilliant Edition, Organ Works,Orgelwerke, CD7 (Hans Fagius) - Fughetta super Allein Gott in der Hoh sei Ehr, BWV 677 There are two other possible explanations for Handel’s borrowing habits. The borrowing of an entire movement is rare, but nevertheless present, most often in the concertos as self-borrowing. After Bajazet’s death – offstage, but only just – there’s the bleakest ‘happy ending’ chorus imaginable, in which the heroine doesn’t join. So much of the performance is musically meticulous, but it would have flourished with a few more degrees of dramatic heat. The orchestral playing is duly alert. Far and away the best arrangement of the organ concertos (IMHO) is that published by Novello, an arrangement of all the Op.4 concerti made by John Dykes Bower and C.S.Lang. Found inside – Page 369And it may more than as artists , in the instruments they be well to remember that Bach wrote for comparatively large had to deal with , and in the opportunities for the and generally fairly complete organs ; whilst Handel had ... Some of Handel’s manuscripts actually show that not only did he copy some of these musical formulæ exactly as they were originally in other composers’ works, but that he also notated some in an already altered form, obviously for future use. And there is great intensity in her singing of the two minor key arias that begin the final act. The orchestra, modest in size (the strings are only 4.4.2.3.2: I should have preferred more violins), are efficient and precise. Several times, especially in the first act, one wanted the extended secco recitatives to move more fluently. The music, written between 1740 and 1751, was written for performance during Handel's oratorios: the second was written to be performed with Samson, and the fifth, with Theodora. Karina Gauvin is splendidly forthright as Asteria: no shrinking violet, she makes the singers for Trevor Pinnock and George Petrou sound bland in comparison. Found inside12 organ concerti composed by great Baroque master are reproduced in full score from the Deutsche Handelgesellschaft edition. 138pp. 9* x 12«. 24462-8 Pa. $7.95 COMPLETE CONCERTI GROSSI IN FULL SCORE, George Frideric Handel. Handel indicated organo ad libitum in twelve adagio movements in the fifteen organ concertos, offering extensive opportunities for extemporaneous performance. This book is, moreover, about new maps for the subject. Concerto op. This collection offers 12 of the Baroque master's organ concerti, an innovative musical form he invented, reproduced here in full score as they appeared in the authoritative Deutsche Handelgesellschaft edition. Baker is in superb voice, and for her commanding singing alone the set is more than worth having; but the new version under Nicholas McGegan certainly surpasses it in almost every other way. Yet Curnyn gives due weight to the opera’s graver moments. Find many great new & used options and get the best deals for Handel: Complete Organ Concertos, at the best online prices at eBay! The Concerto op. Emanuela Galli certainly generates a stronger sexual charge than either. She uses her words more vividly than any of the other singers bar Mary-Ellen Nesi, whose Sextus – fiery, headstrong and thrillingly sung – is surely the finest on disc. Marijana Mijanović’s Bertarido often slips under pitch on long notes and uses indiscriminate vibrato instead of singing through phrases. S/T/t). 1 in G Minor, HWV 289: I. Larghetto . Simon Preston's recordings of the complete set of Handel's organ concertos with Trevor Pinnock and The English Concert was the first to use the latest musicological research by Anthony Hicks. Though inclined to go berserk in da capos, Romina Basso’s androgynous contralto makes a superb Ptolemy: sleazy, insinuating, neurotically unstable, yet without the hint of camp petulance that countertenors in the role seem unable to avoid. Stream songs including "Organ Concerto No. Allegro" and more. Derek Lee Ragin’s treacherous Ptolemy is also memorable, venom and fire injected into his agile voice. 5 in G minor --Concerto op. The singers, many of them Curnyn regulars, dispatch their arias with fine Handelian style and spirit, and, crucially, bring real theatrical vitality to their recitative exchanges. The role of Polinesso, intended for a contralto rather than a castrato, is projected by Jennifer Lane with style and some passion, the latter particularly in the final aria where he looks forward to his triumph. Handel composed a work of six organ concertos for chamber organ and orchestra from 1735-1736 - these organ concertos were the first of their kind and influenced many future composers. Bach Famous Concertos, Handel Complete Organ Concertos and Locatelli Complete Violin Concertos. 4 & 7) 1 : Surround Yourself in . 6 Organ Concertos, Op.7 (Handel, George Frideric) Movements/Sections Mov'ts/Sec's: 6 concertos First Publication 1761 Genre Categories: . Irini Karaianni is attractively smoky in her siciliano; lovely clarinets but here, as elsewhere, the continuo is inaudible in places. 2 in F major: 62: HWV 321: Concerto Grosso No. As her lover Vitige, Croatian mezzo Renata Pokupić sings with grace, verve and (not least in Vitige’s jealous outburst in Act 3) an exciting flame in the tone; and Thomas Walker and the sonorous bass Andrew Foster-Williams excel in the blustering, mock-heroic coloratura arias for the squabbling councillors Ugone and Lotario. Richard Croft, though often hurried by Minkowski, sings much of Hyllus’ music with elegance, and his delicate sustained pianissimo in the da capo of ‘From celestial seats descending’, one of the most inspired pieces in the score, is remarkable. – Antoine Bouchard, Manual Diapason 8′ Open 4′ Principal Twelfth Mixture 11 8′ Bass Diapason 8′ Treble Diapason 4′ Flûte d’Amour 4′ Bass Flauto Traverso 4′ Melodia 8′ Oboe (viol) Pedal 16′ Bourdon Pedal Coupler Octave Coupler. Rodelinda, first performed in February 1725, is a stunning work dominated by a title-heroine who remains devoted to her supposedly dead husband Bertarido and scorns the advances of his usurper Grimoaldo. This Alcina is polished and passionate, the standard of da capo ornamentation unsurpassed. Complete Organ Concertos op.4 & op.7 ~ Release by George Frideric Handel ; Herbert Tachezi , Concentus Musicus Wien , Nikolaus Harnoncourt ( see all versions of this release, 2 available ) Overview GEORGE FREDERIC HANDEL - Complete Organ Concertos; Harp Concerto in B-flat major HWV 294; Four Organ Voluntaries HWV 605, 607, 608, & 610 Christian Schmitt (organ) Charlotte Balzereit (harp) Matt, Nicol (conductor) Handel: Complete Keyboard Concertos Matthias Kirschnereit, piano Kammerakademie Neuss Lavard Skou-Larsen, conductor At long last we can now offer you Handel's complete organ concertos in the version for piano and orchestra in a specially priced box. Faramondo is revealed as a much better score than previously thought. Bach Famous Concertos, Handel Complete Organ Concertos and Locatelli Complete Violin Concertos. It is also a dark opera. Christie is very much concerned with a smooth and generally rich texture and with delicacy of rhythmic shaping. Gauvin, her silk-clad Morgana fully as manipulative as Alcina, and Prina, the ever faithful Bradamante, each bring tremendous spirit and sensuousness to their roles.
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